My practice moves through innovation, interaction, and new ways of seeing.
Working with emerging technologies and immersive installation I create responsive environments, spaces that shift, listen, and invite participation. Technology in my work is not spectacle but material: something tactile, emotional, and porous, capable of holding memory, presence, and transformation.

Rooted in my perspective as a queer, working-class artist, my practice explores how identity is entangled with heritage, nature, place, and collective history. I am drawn to the processes through which stories are carried forward and to the ways they can be reactivated through shared experience. My work does not seek to fix narratives in place, but to let them breathe, overlap, and remain unsettled.

Using a variety of software, I build real-time systems and interactive structures that respond to bodies, movement, and environment. By working with technologies that are adaptable, teachable, and open to collaboration, I approach digital practice as something communal rather than closed, shaped as much by those who encounter it as by those who build it.

My installations often recontextualise familiar sites, symbols, and artefacts, transforming them into spaces built to engage with the world as a living field of nature, emotion, memory, and sensation.

Alongside exhibitions, I develop tech-based events and workshops that extend my practice beyond the gallery. These gatherings focus on access, skill-sharing, and experimentation, positioning technology as a tool for connection.

Across materials, code, and histories, my practice seeks to expand perception rather than impose meaning. I aim to create immersive yet intimate encounters, spaces where experience remains a living, evolving presence.