My practice works across emerging technology and immersive installation to explore the timeline of human experience, the personal and the cultural, the near and the distant, the remembered and the yet to come.

I am drawn to histories: the ones we inherit, the ones buried in archives, and the ones carried privately in bodies and memory. Working with real-time systems, interactive environments, and found and archival material reimagined through technology, I create spaces where those histories become alive again, not preserved, but reactivated through engagement. Audiences move through these environments not as observers but as participants, their presence shaping what the work becomes.

Rooted in my identity as a queer, working-class artist, my practice is bound to questions of whose histories are told, how they are carried forward, and what futures these histories influence. Personal exploration sits alongside collective history; individual experience becomes something shared. Speculation is just as crucial as documentation in my work, imagining forward into possible futures or excavating hidden pasts becomes a way of questioning the present. By holding what was and what could be in tension, the work creates space to question the structures, narratives, and systems we currently exist in.

Each iteration of my practice is a repositioning, responsive to new contexts, new bodies, new moments in time. What remains constant is the question at the centre: how do we, as humans, locate ourselves within the unfolding continuity of past, present, and future?