My practice is a combination of narrative, interaction, and new ways of seeing. Working with traditional making, emerging technologies and immersive installation I create responsive environments, spaces that drift, merge and invite participation.

Rooted in my perspective as a queer, working-class artist, my practice explores how identity is entangled with heritage, nature, place, and collective histories. I am drawn to the processes through which stories are carried forward and to the ways they can be reactivated through experience. My work displays familiar histories, sites, symbols, and artefacts through new merged perspectives, transforming them into spaces built to engage with the world as a living ecosystem of emotion, memory, and sensation.

With my use of both traditional mediums and emerging technologies I create work which blurs its position, allowing for viewers to decide their own personal context behind each piece. Using a variety of software, I build real-time systems and interactive structures that respond to bodies, movement, and environment. By working with technologies that are adaptable, teachable, and open to collaboration, I approach my practice as something collective rather than individual, shaped as much by those who encounter it as by those who create it.

Across mediums, code, and histories, my practice seeks to expand perception rather than impose meaning. I aim to create immersive yet intimate encounters, spaces where experience remains a living, evolving presence adaptable to the viewers response.